projects / unix-history / blame
| Commit | Line | Data |
|---|---|---|
| b9facfd8 C |
1 | .nr PS 8 |
| 2 | .nr VS 10 | |
| 3 | .LP | |
| 4 | .sp .5i | |
| 5 | Computer Modern fonts, roman, \f2italic\f1, and \f3bold\f1. (by Don Knuth) | |
| 6 | 6, 7, 8, 9, 10, 11, 12 point. | |
| 7 | (Available as cm.) | |
| 8 | .PP | |
| 9 | Note that the cm fonts are intended for TEX and don't fare so well with | |
| 10 | troff. The spacing is not proportional by point size, and hence only | |
| 11 | one point size can be tuned to be nicely spaced. We have tuned the 10 | |
| 12 | point size, but the 8 point looks somewhat cramped. | |
| 13 | .PP | |
| 14 | Some of the punctuation is missing in some of the fonts. | |
| 15 | Knuth also uses a nonstandard notion of ASCII, and hence | |
| 16 | some glyphs are available only with special symbols such as \e(12. | |
| 17 | Others cannot be accessed at all. | |
| 18 | .PP | |
| 19 | Knuth's fonts somewhat larger than normal, since he intends the output | |
| 20 | to be reduced before printing. Since troff has a limitation of 7.54 | |
| 21 | inches width on output, this is not practical. Hence, the original | |
| 22 | fonts have been relabelled with the point size they are closest to | |
| 23 | without reduction. Some fonts (6 point bold, 7 point roman, 8 point | |
| 24 | italic and bold, 9 point bold, and 11 point italic) which would have | |
| 25 | otherwise been missing were generated by shrinking the next larger | |
| 26 | point size of the same style. (This goes against the idea of metafont, | |
| 27 | but we use the tools we have.) | |
| 28 | .lg 0 | |
| 29 | .nh | |
| 30 | .na | |
| 31 | .de FT | |
| 32 | .sp | |
| 33 | .ps \\$1 | |
| 34 | .vs \\$1+2 | |
| 35 | .ft \\$2 | |
| 36 | \\$1 Point \\$3 | |
| 37 | .sp | |
| 38 | ABCDE FGHIJ KLMNO PQRST UVWXYZ abcde fghij klmno pqrst uvwxyz 01234 56789 | |
| 39 | ! " # $ % & ' ( ) : * - = [ ] { } ^ ~ _ \e | @ ` ; + / ? . > , < | |
| 40 | \&', `, \(em, -, \(hy, \-, \(bu, \(sq, \(ru, \(14, \(12, \(34, | |
| 41 | \(fi, \(fl, \(ff, \(Fi, \(Fl, \(de, \(dg, \(fm, \(ct, \(rg, \(co | |
| 42 | .sp | |
| 43 | If time be of all things the most precious, wasting time must be, | |
| 44 | as Poor Richard says, the greatest prodigality; since, as he elsewhere | |
| 45 | tells us, lost time is never found again; and what we call time enough, | |
| 46 | always proves little enough: Let us then up and be doing, and doing | |
| 47 | to the purpose; so by diligence shall we do more with less perplexity. | |
| 48 | .. | |
| 49 | .de F | |
| 50 | .FT \\$1 1 Roman | |
| 51 | .FT \\$1 2 Italic | |
| 52 | .FT \\$1 3 Bold | |
| 53 | .. | |
| 54 | .F 10 | |
| 55 | .de S | |
| 56 | .br | |
| 57 | .ps \\$1 | |
| 58 | .vs \\$1+2 | |
| 59 | \\$1 Point Roman, \f3Bold\f1, and \f2Italic\f1. | |
| 60 | .. | |
| 61 | .sp | |
| 62 | .S 6 | |
| 63 | .S 7 | |
| 64 | .S 8 | |
| 65 | .S 9 | |
| 66 | .S 10 | |
| 67 | .S 11 | |
| 68 | .S 12 |