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8cf1dadb | 1 | Warning: |
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2 | The fortunes contained in the fortune database have been collected |
3 | haphazardly from a cacophony of sources, in number so huge it | |
4 | boggles the mind. It is impossible to do any meaningful quality | |
5 | control on attributions, or lack thereof, or exactness of the quote. | |
6 | Since this database is not used for profit, and since entire works | |
7 | are not published, it falls under fair use, as we understand it. | |
8 | However, if any half-assed idiot decides to make a profit off of | |
9 | this, they will need to double check it all, and nobody not involved | |
10 | of such an effort makes any warranty that anything in the database | |
11 | bears any relation to the real world of literature, law, or other | |
12 | bizzarrity. | |
13 | ||
14 | This file describes the format for fortunes in the database. This is done | |
15 | in detail to make it easier to keep track of things. Any rule given here | |
16 | may be broken to make a better joke. | |
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17 | |
18 | [All examples are indented by one tab stop -- KCRCA] | |
19 | ||
20 | Numbers should be given in parentheses, e.g., | |
21 | ||
22 | (1) Everything depends. | |
23 | (2) Nothing is always. | |
24 | (3) Everything is sometimes. | |
25 | ||
26 | Attributions are two tab stops, followed by two hyphens, followed by a | |
27 | space, followed by the attribution, and are *not* preceded by blank | |
8cf1dadb | 28 | lines. Book, journal, movie, and all other titles are in quotes, e.g., |
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29 | |
30 | $100 invested at 7% interest for 100 years will become $100,000, at | |
31 | which time it will be worth absolutely nothing. | |
32 | -- Lazarus Long, "Time Enough for Love" | |
33 | ||
34 | Attributions which do not fit on one (72 char) line should be continued | |
35 | on a line which lines up below the first text of the attribution, e.g., | |
36 | ||
37 | -- A very long attribution which might not fit on one | |
38 | line, "Ken Arnold's Stupid Sayings" | |
39 | ||
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40 | Single paragraph fortunes are in left justified (non-indented) paragraphs |
41 | unless they fall into another category listed below (see example above). | |
42 | Longer fortunes should also be in left justified paragraphs, but if this | |
43 | makes it too long, try indented paragraphs, with indentations of either one | |
44 | tab stop or 5 chars. Indentations of less than 5 are too hard to read. | |
d0d870cb | 45 | |
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46 | Laws have the title left justified and capitalized, followed by a colon, |
47 | with all the text of the law itself indented one tab stop, initially | |
48 | capitalized, e.g., | |
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49 | |
50 | A Law of Computer Programming: | |
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51 | Make it possible for programmers to write in English and |
52 | you will find the programmers cannot write in English. | |
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53 | |
54 | Limericks are indented as follows, all lines capitalized: | |
55 | ||
56 | A computer, to print out a fact, | |
57 | Will divide, multiply, and subtract. | |
58 | But this output can be | |
59 | No more than debris, | |
60 | If the input was short of exact. | |
61 | ||
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62 | Accents precede the letter they are over, e.g., "`^He" for e with a grave |
63 | accent. Underlining is done on a word-by-word basis, with the underlines | |
64 | preceding the word, e.g., "__^H^Hhi ____^H^H^H^Hthere". | |
d0d870cb | 65 | |
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66 | No fortune should run beyond 72 characters on a single line without good |
67 | justification (er, no pun intended). And no right margin justification, | |
68 | either. Sorry. For BSD people, there is a program called "fmt" which can | |
69 | make this kind of formatting easier. | |
d0d870cb | 70 | |
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71 | Definitions are given with the word or phrase left justified, followed by |
72 | the part of speech (if appropriate) and a colon. The definition starts | |
73 | indented by one tab stop, with subsequent lines left justified, e.g., | |
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74 | |
75 | Afternoon, n.: | |
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76 | That part of the day we spend worrying about how we wasted |
77 | the morning. | |
d0d870cb | 78 | |
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79 | Quotes are sometimes put around statements which are funnier or make more |
80 | sense if they are understood as being spoken, rather than written, | |
8cf1dadb | 81 | communication, e.g., |
d0d870cb | 82 | |
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83 | "All my friends and I are crazy. That's the only thing that |
84 | keeps us sane." | |
d0d870cb | 85 | |
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86 | Ellipses are always surrounded by spaces, except when next to punctuation, |
87 | and are three dots long. | |
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88 | |
89 | "... all the modern inconveniences ..." | |
90 | -- Mark Twain | |
91 | ||
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92 | Human initials always have spaces after the periods, e.g, "P. T. Barnum", |
93 | not "P.T. Barnum". However, "P.T.A.", not "P. T. A.". | |
d0d870cb | 94 | |
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95 | All fortunes should be attributed, but if and only if they are original with |
96 | somebody. Many people have said things that are folk sayings (i.e., are | |
97 | common among the folk (i.e., us common slobs)). There is nothing wrong with | |
98 | this, of course, but such statements should not be attributed to individuals | |
99 | who did not invent them. | |
d0d870cb | 100 | |
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101 | Horoscopes should have the sign indented by one tab stop, followed by the |
102 | dates of the sign, with the text left justified below it, e.g., | |
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103 | |
104 | AQUARIUS (Jan 20 - Feb 18) | |
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105 | You have an inventive mind and are inclined to be progressive. You |
106 | lie a great deal. On the other hand, you are inclined to be | |
107 | careless and impractical, causing you to make the same mistakes over | |
108 | and over again. People think you are stupid. | |
d0d870cb | 109 | |
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110 | Single quotes should not be used except as quotes within quotes. Not even |
111 | single quotes masquerading as double quotes are to be used, e.g., don't say | |
112 | ``hi there'' or `hi there' or 'hi there', but "hi there". However, you | |
113 | *can* say "I said, `hi there'". | |
d0d870cb | 114 | |
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115 | A long poem or song can be ordered as follows in order to make it fit on a |
116 | screen (fortunes should be 19 lines or less if at all possible) (numbers | |
117 | here are stanza numbers): | |
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118 | |
119 | 11111111111111111111 | |
120 | 11111111111111111111 | |
121 | 11111111111111111111 22222222222222222222 | |
122 | 11111111111111111111 22222222222222222222 | |
123 | 22222222222222222222 | |
124 | 33333333333333333333 22222222222222222222 | |
125 | 33333333333333333333 | |
126 | 33333333333333333333 44444444444444444444 | |
127 | 33333333333333333333 44444444444444444444 | |
128 | 44444444444444444444 | |
129 | 44444444444444444444 | |
130 | ||
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131 | Fortunes are split into potentially offensive and not potentially offensive. |
132 | The offensive version of a file has the same name as the non-offensive | |
133 | version with "-o" concatenated, i.e. "fort" is the standard fortune | |
134 | database, and "fort-o" is the standard offensive database. Anything which | |
135 | would not make it onto network prime time programming (or which would only | |
136 | be broadcast if some discredited kind of guy said it) MUST be in the | |
137 | potentially offensive database. Fortunes containing any explicit language | |
138 | (see George Carlin's recent updated list) MUST be in the potentially | |
139 | offensive database. Political and religious opinions are often sequestered | |
140 | in the potentially offensive section as well. Anything which assumes as a | |
141 | world view blatantly racist, mysogynist (sexist), or homophobic ideas should | |
142 | not be in either, since they are not really funny unless *you* are racist, | |
143 | mysogynist, or homophobic. | |
144 | ||
145 | The point of this is that people have should have a reasonable expectation | |
146 | that, should they just run "fortune", they will not be offended. We know | |
147 | that some people take offense at anything, but normal people do have | |
148 | opinions, too, and have a right not to have their sensibilities offended by | |
149 | a program which is supposed to be entertaining. People who run "fortune | |
150 | -o" or "fortune -a" are saying, in effect, that they are willing to have | |
151 | their sensibilities tweaked. However, they should not have their personal | |
152 | worth seriously (i.e., not in jest) assaulted. Jokes which depend for their | |
153 | humor on racist, mysogynist, or homophobic stereotypes *do* seriously | |
154 | assault individual personal worth, and in an general entertainment medium | |
155 | we should be able to get by without it. |